The Polytechnic University

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Milan’s Polytechnic was chosen in 1993 as the location for Italy’s first-ever degree course in Industrial Design. The history of the Industrial Design degree (at the Faculty of Design since June 2000) has been marked by a sustained interest in trying out new and innovative course structures, as a response to the real needs of the contemporary market and society. Studying design at the Politechnic means getting to grips with a city that’s been hailed as the world’s design capital. Milan, a city inhabited and brought to life by people who have made design history by developing completely original ideas and styles, is the perfect setting in which to train young designers. An urban stage where designers and producers, not just from Italy but also from every corner of the globe, can exchange ideas and display their designs and products at the large events held here all year round: the international furniture fair Salone del Mobile, fashion weeks, exhibitions, social and cultural events in museums and showrooms around the city. Milan now exerts a strong influence on the design-oriented industries which have made Italian products famous worldwide: clothing and fashion, furnishings, industrial components, cars and motorbikes, domestic appliances and homeware, furniture and interior design, communications and the services network, all in a setting characterised by an increasingly high level of technological innovation. The high profile which the Faculty of Design at the Milan Polytechnic has acquired in just a few years is a reflection of the city’s international weight. In terms of student numbers and the size of its lecturing staff, the Polytechnic is now the largest international university for the training of product, communications, interior and fashion designers. Six years after its launch, it has two sites, in Milan and Como, with two brand-new campuses. To give you an idea of its size, here are a few statistics: approximately 4500 students, over 500 lecturers and around 800 faculty assistants, readers and expert teaching staff; over 900 graduates working as professional designers or employed by service companies and manufacturing industries. On the Bovisa campus, the faculty also has large laboratories providing teaching support, covering an area of about 10,000 square metres. In terms of size, equipment and knowledge output, these laboratories form the world’s largest centre for design research: there are specific laboratories for the following fields: Exhibit design, Photography, Light & Colour, Virtual Prototyping and Reverse Modelling, Models, Fashion models, Movie Design and Special Graphic Techniques. The POLI.teca adds to the Polytechnic’s teaching support by offering a documentation service for specific design issues. With training on three levels (5 first-year degree courses, 5 full degree courses, 3 “inter-faculty” 5-year degrees and 4 PhD courses), the Faculty of Design also offers postgraduate courses (10 Masters, first and second level), in the more specialised fields of design planning including communications, product design, nautical design and cultural heritage.

STUDENTS
Alessandra Leone, Andrea Cadorin, Andrea Simonato, Beatrice Cesana, Cristina Venanzetti, Daniele Sandri, Domenico D’Alessio, Elena Bozzetto, Erika Farioli, Fabrizio Luca, Francesca Pasini, Gilberto Vizzini, Giorgio Bellante, Giorgio Caviglia, Guido Tamino, Ilaria Comello, Ilaria Di Emidio, Katja Onjukka, Laura Pozzoni, Maria Rosaria delle Cave, Mario Ruggiero, Matteo Tettamanzi, Paola Busnelli, Paola Slongo, Sabrina Grillo, Silvia Amaduzzi, Silvia Casali, Simone Trotti, Stefano Cremisini, Susanna Ferraro, Tommaso Colombo, Veronica Zapelloni, Vincenzo Lodigiani.

Our thanks to Marisa Galbiati, Francesco Dondina and Pietro Corraini for their collaboration.



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  • THE POLYTECHNIC UNIVERSITY

  • Daniele Sandri

    Aequòpolis should not be a place that pollutes and strips natural resources down to the bone, but it should blend into them, becoming an integral part of them.

  • Silvia Amaduzzi

    Utopolis. Today, a just city is a Utopia; an emerald City to be built from the errors of unsustainable development in the modern megalopolis.

  • Domenico D'Alessio

    Aequòpolis, the city that gives a natural aspect to urbanisation. A city that allows you to feel as though you were someone in a sea of nobodies, to find an equilibrium in which you can feel alive.

  • Guido Tamino

    The reality portrayed is a perceived, fleeting, rapid and confused one. It is the reality that we intercept, perceive and experience, as we walk.

  • Andrea Cadorin

    The artificial installation has become naturalised, and Nature has become urbanised. A selective process.

  • Francesca Pasini

    Cities give great chances, from a perfect stranger you can become someone. This is the reason why many people live in a big city.

  • Katja Onjukka

    People need more open, green spaces where they can relax, breathe fresh air, smell the grass. We have to discover the secret of greenery.

  • Mario Ruggiero

    Starting with the observations of Daverio, "is the growth of cities a question of numbers?" and Branzi "a city has to offer opportunities" I’ve seen a growing, seeping form of random development, mainly driven by the market. A development that risks isolating the individual.

  • Fabrizio Luca

    Modern cities compress, draw in and heap together any kind of shape, like a funnel. Yet Nature tries to adapt itself to this city.

  • Simone Trotti

    This is Bangkok, a city of angels and temples. Bangkok, unrecognisable. It overruns all boundaries and keeps expanding. Insatiable.

  • Ilaria Di Emidio

    A liveable city, a possible city. Not destroying what exists, but redesigning it, changing the perspective: today, cities are not wrong, just interpreted badly.

  • Ilaria Di Emidio

    A liveable city, a possible city. Not destroying what exists, but redesigning it, changing the perspective: today, cities are not wrong, just interpreted badly.

  • Giorgio Caviglia

    The city is created and grows fed by its diversity. All attempts at planning should be aimed at making the most of its peculiarities.

  • Susanna Ferraro

    Vertical development as an objective; the text becomes part of the metropolitan fabric, integrating and elevating it towards an aequòpolis.

  • Cristina Venanzetti

    You can see the city because the eye of a 20th century human being can distinguish more than 100 different shades of grey. There has also been a physiological adaptation to cities that are ever greyer.

  • Maria Rosaria Delle Cave

    Outside of the conurbations, towards the provinces, losing yourself in the unexplored footpaths to find yourself.

  • Katja Onjukka

    People need more open, green spaces where they can relax, breathe fresh air, smell the grass. We have to discover the secret of greenery.

  • Stefano Cremisini

    An idealised space where nothing is stronger. Everything is on the same level, there is no dimension, no above and no below. A utopian cohabitation of different shapes.

  • Domenico D'Alessio

    Aequòpolis, the city that gives a natural aspect to urbanisation. A city that allows you to feel as though you were someone in a sea of nobodies, to find an equilibrium in which you can feel alive.

  • Tommaso Colombo

    The city is a cohesion of different realities. The basic idea is to transpose this variety of aspects which make up the city through a type of “aequòpolis” composed of different features.

  • Vincenzo Lodigiani

    While preserving the inevitable, oppressive and negative aspects of the great modern metropolis, the new city has the ability to transform itself, offering its inhabitants escape routes towards refuges where they can find their own equilibrium, on a personal or group level.

  • Paola Slongo

    Metropolitan suburbs like giant Tetris blocks: anonymous masses suffocating the sky; indeterminate pieces of solitude fixed in a precarious equilibrium.

  • Beatrice Cesana

    Large cities are like Leopardi’s hedge. A barrier to be overcome with the help of the planners’ imagination.

  • Ilaria Comello

    In some cities, going home is not something that everybody wants to do: architecture and good government can make sure that it is.

  • Sabrina Grillo

    “A famous story says that in Babylon, part of the city was occupied by enemy invaders and the other parts knew nothing about it. The city was not communicating with itself.” Predrag Matvejevic

  • Paola Busnelli

    Sustainable city... to live or to lie? Man is at the heart of the question. Man is responsible for the answer: Live or lie? Act or submit?

  • "Where I am, makes me what I am"

    Anonymous at Galleria illy London

  • “The time is always right to do the right thing”

    Martin Luther King

  • "Liberty is about our rights to question everything".

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