Sint-Lucas Visual Arts, Gent

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Sint-Lucas Visual Arts is located in the city centre of Gent, one of the major cities in Flanders. Gent’s history dates back to the early Middle Ages, and the city centre resembles an open air museum with splendid monuments, fairy-tale fronts and statues. The extraordinary fascinating patrimony turns Gent into one of the focuses of the cultural life in Flanders: the practically uninterrupted series of exhibitions is but one example.

The growth of the industry did not affect the typical atmosphere of the old Gent: it is a town where old and new meet and incredibly enough make up one intriguing complex.

Studying in a city with a major university and several “hogescholen” (institutes of higher education), is an everlasting enrichment for each young person. There are 45,000 university and college students in the city: their presence (out of a total population of around 250,000) acts to really liven things up in the city. When you are not studying, there are lots of other things to do: you can go to one of the movie theatres, museums, concert halls, theatres, opera house, 274 cafés…

Sint-Lucas Visual Arts is an institute with a rich and longstretched history in educating arts dating back to 1862. Sint-Lucas offers three degrees in arts: a bachelor degree in Visual Design, a bachelor degree in Visual Arts and a master’s degree in Visual Arts.

The bachelor degree in Visual Arts is a profession-oriented Bachelor’s degree. The study program is practice-oriented and includes a work placement period.

The second bachelor – in Visual Arts – is an academic degree, meant to prepare students for advanced studies at Master’s level. Students can choose one of the following studios: sculpture, graphic art and illustration, painting, ceramics and glass art, textile design, graphic design, multimedia design, experimental studio.

The Master’s degree in Visual Arts is characterized by the integration of education and research and a Master’s dissertation. The aim of the Master’s program is to facilitate the personal development of students as young artists. The staff is responsible for the creation of a stimulating artistic and research environment.

Authors of the illustrations of this issue of illywords are students attending the second and third bachelor in graphic art and illustration, coordinated and directed by Prof. Gerda Dendooven.

In this studio, which includes both theoretical and practical courses, students are brought into contact with the most important graphical techniques; they are made familiar with graphical imagery and are encouraged to develop their own graphical language through personal research. Drawing in its broadest sense is the central activity of this studio.



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Images

  • Sint-Lucas Beeldende Kunst Gent - Belgium

  • Anton Van Steelandt

    MISTER LATTE. This image contains quite a lot of errors. There is an optical illusion present, which already gives some false knowledge to its viewer. But also the person in the image itself gives a very odd impression because of his weird outfit. Everything seems wrong, but at the same time feels like a statement of this strange individual. He’s not afraid to show his true face, even if he doesn’t show it at all.

  • Lien Buysens

    My drawing presents a teapot who can serves two cups in once. Isn't it nice?

  • Lien Schalenbourg

    The man is juggling. He's short on balls. Thankfully his face has come a little loose, so he can add more juggling material.

  • Lien Buysens

    My drawing is a result of searching. The idea formed itself after making some sketches of some birds and trees. The picture suggests a young bird that mistakenly has grown too much and reaches a height above the forest trees. This has a positive impact on the bird, he is no longer fed by its mother, but can eat independently, especially when a flying fish flies in its beak my mistake.

  • Anton Van Steelandt

    ERROR ON WHEELS. Two racers both heading for the finish. While you might think the biggest and strongest will pass the finish first, its victory is already doomed because of the smaller one passing right through him: either he crushes him for victory or he loses for sake of both their safety. Can “real” victory be achieved?

  • Emmy Musschoot

    MY COLLECTION. My collection of bugs might look like an error. The collection is drawn, therefore they are not real insects. But just because they’re drawn, I can choose whatever size or colour I want them to have. I also don’t have to kill any real bugs to put them into my collection.

  • Carmen Norman

    HE ALWAYS KNEW THERE WAS SOMETHING WRONG. The individually human being won't rush into the advanced devised path. Yes, he is different and probably a bit weird, but he will have a fascinating life without taking the common step. He is no average Joe.

  • Koen Aelterman

    I was thinking about the human body errors when I found out that you could interpretate Picasso's famous works as errors. The eyes and mouth are at one side of the face – what we now call “cubism” – but it could be that Picasso just met someone with a deformation who brought him to the idea of the deformed paintings that made him famous and rich.

  • Liesbeth De Stercke

    My work revolves around 2 skeletons enjoying their retirement. One’s growing a lush garden, the other is birdwatching.

  • Liesbeth De Stercke

    My work revolves around 2 skeletons enjoying their retirement. One’s growing a lush garden, the other is birdwatching.

  • Celine de Cadt

    CREATE YOUR OWN OXYGEN. We know that global warming is a big issue. We know that if we don’t do something our grandchildren will have problems with the environment. I tried to come up with a solution. I thought: why don’t I try to make oxygen myself?

  • Celine de Cadt

    THE MAZE. You could say that life is like a maze. Every day there’s a new challenge. Sometimes you make a wrong turn but that makes you discover new things, new people, ideas.

  • Daphné Luyckx

    In this drawing, I have reversed the outer features of a house. The house becomes transparent and the windows are plains. These plains throw a shadow into the house. Normally a house throws a shadow in his environment and the windows let light through. This constructive "mistake" has a positive element included: the shadow creates the capability for moss and other plants to grow in the shadow. This growth marks the purity of this place. Shadow is often seen as a dark side of things, but can equally mean the opposite: exceptional flora, for example, or protection against sunburn, etc…

  • Lynn Ostin

    This image is based on the animals in the zoo, who become depressive from doing nothing all day long. To counter this phenomenon, the animals' food is hidden in their cage with the intention to make the animals more active. Also I switched the role from prisoner and visitor, which causes the error. This way, men have still the advantage of being safe from the animals, while the animals are active.

  • Daphné Luyckx

    This drawing is also based on a constructive ”error”. The crane, used to build the house, is processed as a part of the building. It gets a new (positive) function by being an aid to the windowcleaner. He can easily reach all the windows (for cleaning issues) around the building by attaching himself to a cable of the crane.

  • Boris Sverlow

    HANDS GROWN TO FINGERS. The idea of the drawing arose from the fact that in this world people have to be able to handle multiple tasks at once. Therefore an evolutionary advantage (error) would be additional hands grown to the fingers. You can fasten up your work-speed and do a lot of more different things at the same time. I set this drawing in a barbershop to demonstrate the positive effects of this error, but you can show it in any situation.

  • Boris Sverlow

    HEADS WITH ADD ON. I made a couple of heads, each with an error put to good use. This idea was loosely based on nuclear disasters and the effects they have on the offspring.

  • Kim Hoebe

    ACCIDENTS CAN LEAD TO NEW SOLUTIONS. I’m interested in such things. In this case a scientist (Darwin perhaps) makes a mistake by throwing ink all over the table. But by looking at the shape of the spot he is noticing it looks like a bird. This gives him a new idea or clue for his research. Maybe the most ingenius inventions started this way. A funny thought.

  • Kim Hoebe

    This is my dynamic world system. While people talk about evolution and belief… one thing leads to another. People try to control their nature, while at other places nature goes its own way. It happens all the time. I made an abstract image of this idea.

  • Joyce Depauw

    This image is based on a fact that everyone who owns a car has experienced one time or another. You are looking for a place to park. You see an empty space, only to come to the conclusion that you'll never fit in. I was thinking how handy it would be if you could just drive sideways into the space, without any difficult moves.

  • Lore Smolders

    For this drawing, I was inspired by the tallest man in the world. Some men are so tall that they can easily feed their women.

  • "Where I am, makes me what I am"

    Anonymous at Galleria illy London

  • “The time is always right to do the right thing”

    Martin Luther King

  • "Liberty is about our rights to question everything".

    Ai Wei Wei

Headline & Editorial

Headline & Editorial

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