Image of transparency

by Carlo Branzaglia

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It’s lunchtime but here in Milan lunch is often skipped for the sake of “productivity”, but also and frequently for the passion for one’s job. In the corridors of the Milan Politecnico, we meet Carlo Branzaglia, communication and design theoretician and critic; today it’s his turn to skip lunch because of us.

RELATIONS BETWEEN PEOPLE, ALSO OCCASIONAL ONES, GENERATE ECONOMIC VALUE; A LOT HAS BEEN SAID LATELY ABOUT THE SO-CALLED “RELATION ECONOMY”: WHAT IS THE OPINION OF THE WORLD OF “COMMUNICATORS” IN THIS RESPECT?
In the economy system, professional communicators have always been the core mediators to relations between businesses and the so-called consumers.
However, because the world is increasingly governed by trade rules, communicators (especially graphic designers) have been led to take sides with their primary and direct clients, i.e. companies. The time has come now, however, to re-balance this relation, to move closer to consumers, re-discover the ethical-social dimension in every project, which by the way is a very Italian-like feature. Just think of the example set by Albe Steiner in the Forties.

DO GRAPHIC ARTS, AND MORE IN GENERAL INDUSTRIAL DESIGN, HAVE A DUAL NATURE? COULD WE REFER TO THEM AS ART OR ARE THEY JUST ONE OF THE SERVICES PROVIDED TO COMPANIES?
By its very nature, the design study model has always been linked in commercial terms to the company’s purposes. However, it is also true that unlike marketing and traditional advertising, it uses, and is expected to use, cultural and language tools that are capable of educating consumers, providing recipients in a way with something “extra”, something that goes beyond the simple market promotion of the product or service that is being offered.

IN THIS “RELATION ECONOMY”, FREQUENT REFERENCE IS BEING MADE TO THE FACT THAT CONSUMERS ARE MORE INTELLIGENT OR IN ANY CASE MORE INFORMED THAN IN THE PAST.
TO WHAT EXTENT IS IT CONVENIENT FOR COMPANIES TO HAVE KNOWING CONSUMERS?
The number of intelligent consumers has increased, but this is only partly true. There is a lot of counter evidence making it difficult to advance any tautological statement about the actual state of consumer awareness.
I believe that intelligent consumers are really good for the market, and especially for improving production in all sectors. In fact, they will demand greater quality.
By quality I mean sustainability, improved performance, research. This type of situation is not convenient for a static market, for those who have a product and want to sell it regardless of its quality.
Those companies which truly know how to make strategies are the ones that care about transparency and educating their clients, the very ones that inevitably care about the quality of their products.
The designer’s duty will be to see that this quality is perceived.

NOT ALL COMPANIES INFORM THEIR CONSUMERS. WHAT WILL BE THE ROLE OF THE INTERNET IN THE PROCESSES OF CORPORATE TRANSPARENCY AND CONSUMER INFORMATION?
In a context such as the “relation economy” one, the Internet is definitely an “acceleration” tool. Of course, the moment a user realises that he/she has a certain need and finds out through the Net that there are others out there with the same need, this creates an atmosphere of sharing which would otherwise be impossible to reproduce.
This “sharing” makes the single consumers feel more confident, so they start heeding to their true needs, thus maturing a stronger sense of critical awareness. “Critical masses” come into being and they inevitably end up influencing market dynamics.
The Internet, therefore, is capable of generating a bi-univocal form of communication where one person speaks to many people, but also where many people speak to many others, thus multiplying information exponentially.
This new and massive possibility of generating information, however, will have to be matched by a different kind of mental project. Indeed, it will have to be matched by individual responsibility and critical ability, regardless of the community’s driving force.
The risk of generating “critical masses” may soon result in the rise of collective moralism and the loss of individual critical ability.

ARE GRAPHIC OR PRODUCT DESIGNERS STILL THE TONGUE OF THE SCALE BETWEEN CONSUMERS AND BUSINESSES?
They most certainly hold great responsibility. Clearly, they cannot determine every single choice a company or consumer makes, but they do have the power to make small changes which are sometimes fundamentally important.
Design has the task of educating clients, as in the case of the recent awareness-arousing initiatives launched through a number of events and conferences. “NO BRAND MORE PROFIT” is the title of one of these initiatives, the one organised by AIAP, the national association of graphic communicators. A book by the same title will soon be published. Product designers are now following this example.



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Images

  • Carmelo Filippo Loguzzo

    CUP. In the morning, Italy gathers around a cup of espresso coffee, it is the time of the day when we start communicating, perhaps with "Mario, our bartender", the cup containing the sky instead of coffee is a metaphor representing the espresso people.

  • Federico Meroni

    MATEM. The relation between figures and reality, solid matter and intangibile matter. A night sky viewed with the eyes of a mathematician or physician. The intertwining of infinite relations governed by schematic, logical, rational rules.

  • Federico Meroni

    PONG. The prehistory of video games. The pseudo-rackets hit the eternallymoving ball. It could stay on the court, it could disappear into the void. Where r u going? The question is for the ball, but also for the reader.

  • Clara Bovetti

    IMPRESSIONS. Relations that are convenient or inconvenient, temporary, strong, solid, overwhelming. They are all bound to leave a trace on us.

  • Giulia Cavalca

    IDENTITY. Relating with others and especially with oneself, in order to grasp one's real identity. Feeling like actors playing a role, changing, taking up different hues. Acting as directors heeding every different kind or hue of shape, fully aware of their indissoluble bond.

  • Clara Bovetti

    SMALL WORD. The "small world" theory shows that between any two given persons there can be only six degrees of separation, based on their respective networks of acquaintances. There is a finite number of degrees of separation and this on its own is enough to indicate that we are all linked together.

  • Michela Marini e Barbara Parini

    RELATIONAL MATRIX. Every more or less complex relation is based on the simple bond that is established between the single individual and the other living creatures around him/her. Society may be viewed as a great matrix where the matrix of basic relations is multiplied n times.

  • Manuél Mister

    WAITING FOR GODOT. Excerpt taken from Waiting for Godot by Samuel Beckett, one of the creators of the theatre of the absurd. Note: the excerpt was declined into the two languages by Beckett himself. ~ Dialogue rich in questions and regularly missed out answers. ~ Total absence of narration and thread. ~ Ingenious synthesis of our expectation. ~ Colour >> mood. ~ Silhouettes >> impersonality. ~ Typography >> rank of order.

  • Davide Scarpa

    HONEY LLOVE BEE. The idea was to adopt an ironic approach in dealing with the issue of establishing relations The two circled sections refer to the authors of this work. "Love" is the final outcome. As in the case of love, this relation is free and spontaneous, both actors can benefit from it.

  • Arianna Marchetti e Roberto Biassoni

    THOUGHT - SPEECH. Establishing relations means expressing one's thoughts, conveying, sharing and blending them with those of others.

  • Carmelo Filippo Loguzzo

    CHAIRS. The lined-up chairs represent us: a lined-up in society. Red represents the accent, the invitation to communicate, to stop for a second to talk...

  • Oliver D'Auria

    RELATIONS. Personalities intertwining as visible interactions, talents and minds, work and thought. Bodies do not physically exist, there is a strong contrast with the material relations characterizing modern society, the lifestyle of the masses. Tender reflections about knowledge.

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